



This rigorously ordered composition stages color as both architecture and emotion: bands of saturated hue behave like measured breaths around a central black disc that reads at once as eclipse, void, and anchor. The flanking panels—one with emphatic chevrons and a weighted inverted triangle, the other with a vertical column of suspended orbs—suggest competing systems of direction and containment, as if the work weighs ascent against descent, sequence against interruption. Light is not modeled but declared through pure pigment, and the black at the center absorbs that declaration, turning the surrounding chroma into a kind of ceremonial perimeter where perception is calibrated and held in tense balance.