



Set against a velvety lavender field, the composition unfurls like a dream-garden where human faces and botanical forms trade identities, suggesting a world in which inner states germinate into visible flora. Thick, emphatic black contours discipline the exuberant color—cobalt, vermilion, acid yellow—so that each bloom becomes an emblem, hovering between innocence and uncanny surveillance with its watchful, mask-like centers. The central vessel reads as both body and shrine, a containment that cannot quite hold its own proliferation, as stems rise like thoughts escaping the limits of speech. In this naïve-inflected cosmology, tenderness and disquiet coexist, proposing nature as a theater for memory, longing, and the quiet strangeness of being seen.







