Untitled 24

This abstract composition reads like a palimpsest of urban memory—blocks of ochre, vermilion, and saturated blues stacked and slipped against one another as if architecture were dissolving into sensation. A field of white circular marks punctuates the center with a measured, almost ritual rhythm, countering the scratched lattices and dragged strokes that suggest abrasion, passage, and time. The muted greys and translucent overlays soften the hard geometry, creating a fragile equilibrium between order and improvisation, where warmth presses forward and cooler tones recede into contemplative depth. In its tension between grid and gesture, the work becomes a meditation on how inner calm is negotiated amid the noise of constructed space.