Untitled 3

Hovering within a field of breath-like white, softened blocks of blue and ember-red negotiate a quiet tension between shelter and exposure, as if architecture and memory are dissolving into one another. The composition’s asymmetrical balance—anchored by a weighty blue mass and countered by a glowing red column—creates a slow pulse, while thin, bright diagonals cut through the haze like sudden thoughts breaking surface. Edges are deliberately blurred, turning color into atmosphere and suggesting that what matters here is not the certainty of form, but the felt residue of encounters—warmth, distance, and the fragile geometry of connection.