Faces 2

This work presents three interlaced faces as a single, cubist-like presence, where angular planes of ochre and gold fracture the psyche into overlapping selves. Set against a velvety black void, the luminous facets read like hammered metal—light becomes a sculptor, carving memory and identity into sharp, tender geometries. The steady, forward gaze suggests intimacy and vigilance at once, while the thin red line at the base cuts through the floral texture like a pulse or boundary, hinting at the quiet tensions that hold unity together.