Pipasa 2 (Moonlit Mountain Range)

This restrained abstraction stages a quiet conversation between vertical planes, where earthen ochres and muted blues rise like architectural partitions that both shelter and divide. A granular, leather-like surface catches light in a soft shimmer, turning the center into a hazy threshold—as if memory were trying to clarify itself without ever becoming fully legible. The composition’s measured rhythm suggests time marked in slow intervals, inviting contemplation of boundaries: between warmth and coolness, presence and absence, intimacy and distance. In its near-silence, the work finds emotional weight, proposing that stillness can be a form of revelation.