

The composition reads like a modern yantraβan ordered field of signs where radiant reds, saffron yellows, and lapis blues are disciplined into a grid, only to be interrupted by a central black void that feels both eclipse and meditation. Around this quiet gravity, triangles, target-like circles, and an all-seeing eye create a rhythmic circuitry, suggesting that vision and belief are constructed through repetition, measurement, and ritual. Light is not modeled but declared in flat, saturated planes, turning color into a kind of chant that oscillates between cosmic playfulness and devotional intensity. The piece ultimately stages a paradox: exuberant patterning as a pathway to stillness, and a dark center that anchors the surrounding world of symbols into contemplation.