Untitled 204 (Intersecting Forms)

This relief composition stages geometry as a quiet cosmology: concentric rings radiate from a calm center while quartered arcs and triangular planes counterbalance the pull of circular time with the certainty of measured edges. A restrained, sun-warmed monochrome lets shadow do the speaking, so that every groove becomes a register of light—turning the surface into a kind of tactile instrument that records duration as it shifts. The work reads like an abstract map of orientation and return, suggesting that stability is not stillness but the continual negotiation between orbit and axis.