Untitled 115

This work orchestrates four fields of radiating grooves into a measured, almost architectural grid, where arcs intersect like quiet celestial mechanics held in tension by the crimson crosshair at center. Earthy ochres and rusts press against nocturnal blues, letting light skim the ridged surface so that the composition seems to breathe—expanding and contracting with each fan of lines. The repeated circular segments suggest cycles of return and rupture, as if the image maps both an inner compass and a shifting horizon, balancing order with the inevitability of drift.