Untitled 205 (Intersecting Realities)

This composition stages a crisp dialogue between opposing wedges of space, where a central “eye” of mirrored triangles concentrates the gaze and then releases it outward into angular currents. Saturated bands of blue, magenta, green, and ochre—each articulated with fine, radiating hatch marks—create a tactile vibration that feels simultaneously measured and kinetic, like light refracted through a prismatic lens. The white negative space is not emptiness but a deliberate interval, sharpening the geometry into a kind of suspended tension between convergence and dispersion. In its strict symmetry and restless color pulses, the work reads as a meditation on balance—how order can be constructed from competing energies without erasing their friction.