Cityscape Abstract (The Crimson City)

This composition constructs an imagined city from overlapping planes of ochre, ember, and wine, where architecture is less described than remembered—an accrual of facades, thresholds, and half-seen windows suspended in heat. Light seems to rise from within the pigment itself, turning walls into membranes and casting the scene in a twilight that feels both sheltering and unsettled. The fractured geometry suggests a lived urban palimpsest: places rebuilt in the mind after loss, where every edge is a quiet negotiation between permanence and erosion.