Untitled 4 (Sunlit Memories)

A weathered architectural façade hovers between memory and erasure, its rooflines and compartments emerging only to be veiled again by gauzy fields of blush, ochre, and ash. The composition reads like a palimpsest—scraped, stained, and rebuilt—where the quiet geometry of domestic structures is disrupted by nervous marks and scorched reds that suggest time’s abrasion and the heat of lived experience. Light seems to seep from within the surface rather than fall upon it, turning the scene into an interior landscape of recollection: a place once inhabited, now dissolving into atmosphere. In this tension between construction and disappearance, the work speaks to how environments persist in us not as facts, but as softened, fragmented impressions.