Untitled 4 (Autumnal Reverie)

This work assembles a mosaic of warm, sun-baked planes—ochres, apricots, and ember oranges—interrupted by pale lilacs that cool the eye like shadow passing over stone. The composition feels both constructed and undone: stacked rectangles suggest an architectural memory, while drips and fractures let the image “leak,” as if time has softened its edges. At the center, a dense lattice of marks vibrates like a nervous core, turning the painting into a meditation on how order emerges from rupture and how light can be built from fragments rather than beams.