

This work reads like a memory pressed into timber: the woodgrain becomes both atmosphere and archive, carrying faint, ghosted figures that hover behind the tangible street vignette. A donkey and its handler, rendered with sculptural clarity, stand as humble anchors while the lamppost and small shrine-like monument glow with a restrained, amber light—suggesting civic ritual, labor, and devotion coexisting in the same breath. The composition stages a dialogue between presence and absence, where etched traces feel like ancestral echoes and the warm sepia palette turns everyday movement into something quietly ceremonial. In merging relief-like realism with spectral underdrawing, the piece proposes the city as a palimpsest—built not only of stone and iron, but of lives repeatedly passing through.







