

This assemblage stages a quiet collision between street-level ephemera and sacred iconography, where weathered signage and a film poster sit like memory-fragments pinned to the grain of everyday life. The diagonal struts cut the surface with an almost cinematic urgency, turning the composition into a crosscurrent of timeβroutes, headlines, and faces interrupted and reassembled. A warm, amber light bleeds from behind the carved figure, granting the devotional form an inner radiance that both sanctifies and interrogates the surrounding clutter, as if tradition must continually be rediscovered amid the noise of the city. What emerges is a portrait of urban identity as palimpsest: faith, commerce, and popular culture layered into one tactile, fragile continuity.







