Untitled 27 (Shadows and Light)

This monochrome abstraction constructs a quiet architecture of memory—stacked bands and blocks that feel simultaneously like masonry and sediment, each layer holding its own weathered record. Soft washes of gray create a veiled luminosity, as if light were filtering through fogged glass, while the porous, pebble-like textures punctuate the surface with the insistence of lived time. The composition’s heavy vertical masses act as thresholds, compressing space and inviting the eye to pass inward, where repetition becomes ritual and the ordinary grid turns contemplative. In its restraint, the work suggests a meditation on containment and passage: what is built to protect can also become a chamber for reflection.