Untitled 25 (Shadows and Light)

This monochrome abstraction organizes itself like an architecture of pauses—stacked bands and guarded corridors where soft gray fields press against a single, emphatic dark seam. The watercolor-like bleeding edges and granular speckling create a tactile weathering, as though the image were a memory repeatedly handled, its borders frayed into silence. Light here is not illumination but a measured breath, moving laterally across horizontal strata and insisting on restraint, balance, and the quiet tension between enclosure and passage. In its spare geometry, the work becomes a meditation on thresholds: what is held back, what is permitted through, and how structure can feel both sheltering and austere.