Untitled 29 (Shadows and Light)

This monochrome abstraction arranges its planes like a quiet architecture of memory—stacked blocks and soft-edged corridors that feel simultaneously sheltered and unsettled. A pale central field acts as a held breath, while the surrounding grays thicken into weightier forms, suggesting the pressure of rooms, habits, or histories closing in. Speckled textures interrupt the smooth washes like fragments of lived experience, turning the composition into a meditation on how intimacy is built from repetition, omission, and subtle constraint.