Untitled 3

This work distills landscape into a near-monochrome field of ochre and umber, where horizontal striations read like sedimentary bands—time compressed into quiet, weathered layers. A faint central haze and scattered, ghostlike markings hover just above the surface, suggesting memory or ritual traces half-buried in the material. The restrained light feels internal rather than directional, as though the painting glows from within its own patina, inviting contemplation of endurance, erosion, and the slow dignity of the earth.