Untitled 17 (Night Lights)

Suspended in a deep, aqueous field of blues, the landscape dissolves into layered planes where watercolor blooms and washes behave like shifting weather rather than fixed terrain. A scattered constellation of warm ochres and whites flickers across the midline, suggesting a distant settlement or shoreline lights—human presence rendered as fragile, momentary sparks against an enveloping expanse. The composition’s soft diagonals and submerged edges create a quiet sense of drift, as if memory itself is being carried through water and time. What emerges is less a place than a mood: solitude tempered by resilience, where illumination persists even as forms surrender to the surrounding blue.