Untitled 10 (Mountain Village)

Swathed in veils of slate and indigo, the scene emerges as if remembered rather than observed—a settlement of pinprick lights suspended within broad, wind-brushed passages of paint. The composition hinges on a quiet diagonal, where clustered illumination cuts through heavy atmosphere, turning the valley into a vessel for fragile human presence amid indifferent terrain. Subtle violets and cold whites pulse against the darkness, suggesting both sanctuary and isolation, as though the town’s glow is an act of insistence against encroaching night. The rough, striated surface carries the sensation of weather itself, making the landscape less a place than a mood: perseverance held in a breath of light.