Untitled 180 (Diptych)

This diptych stages a poised conversation between cool blue and verdant green fields, where hard-edged blocks and softened, bruised passages of paint suggest architecture dissolving into memory. Thin red diagonals and clipped geometric intrusions act like fault lines, directing the eye through zones of calm that are repeatedly interrupted by tactile eruptions and scraped transparency. The composition holds a quiet tension—order aspiring to stability while gestures of erasure and overpainting reveal the vulnerability beneath constructed space. In its layered surfaces, the work reads as a map of inner terrain, where clarity and fracture coexist in the same luminous breath.