

This monochrome abstraction stages a charged conversation between weight and erasure, where coal-dark swells hover like weathered memories above a field of scraped, chalked light. Vertical drips and battered silhouettes suggest figures, pylons, or doorways dissolving into one another, as if the architecture of thought is being built and undone in the same breath. The restrained palette sharpens every smudge into a moral register—shadow as accumulation, white as fragile reprieve—while the faint linear notations near the base read like a subdued score of persistence beneath looming turbulence. What emerges is a landscape of interior pressure, where ambiguity becomes the subject and the viewer is asked to inhabit the interval between presence and disappearance.







