Untitled 125 (Red and Gold Abstraction)

A fervent field of crimson dominates the surface like a lived emotion, its layered skins of pigment and abrasion suggesting both insistence and vulnerability. Against this heated expanse, a vertical seam of ochre, umber, and pale ash reads as a fault line—an interior architecture where rupture becomes passage and the painting’s light arrives through scuffed, imperfect edges. The composition holds in tense equilibrium between mass and erosion, inviting the viewer to sense how intensity can be tempered, and how silence can be carved from saturation.