Untitled 4 (Intersecting Paths)

A cool field of turquoise is cleaved by a vertical surge of chalk-white geometry, its angular strokes stacking like a skeletal scaffold suspended between sea and sky. The paint’s opacity and abrasion allow undercurrents of color to breathe through, turning the central form into both structure and erasure—an assertion that is also a wound. Subtle horizontal banding steadies the composition like a distant horizon, while the restless diagonals suggest motion, strain, and the precarious labor of holding oneself upright within an expansive calm.