



This abstraction stages a slow choreography of overlapping planes, where translucent greens press against ember-like reds to create the sensation of forms hovering just before they resolve into certainty. The composition’s veiled edges and porous brushwork let light behave like memory—seeping through layers, softening boundaries, and turning space into an interior landscape rather than a fixed geometry. Amid the interlocking arcs and vertical fragments, the eye reads a quiet tension between containment and release, as if the painting were mapping the thresholds where emotion becomes structure.







