Untitled 16 (Intersecting Realities)

This composition assembles a quiet architecture of triangles and softened planes, where ochres and moss greens breathe like sun-warmed earth seen through memory rather than direct sight. A central, pale field—almost a ghost of a form—suggests presence without declaration, as if the work is mapping an emotion across a fractured terrain. The grainy, stippled texture keeps every edge slightly porous, letting light seep between segments and turning geometry into something tender and lived-in. In its balance of structure and haze, the painting reads as a meditation on how we piece together coherence from time’s scattered fragments.