Untitled 12 (Layers of Light)

This composition stages a quiet collision between crystalline geometry and atmospheric haze, where translucent planes interlock like memories trying to align. Warm amber arcs press against cool violets and powder blues, creating a pulse of dawn-like light that seems to radiate from within the layered forms rather than fall upon them. The softened edges and grainy texture temper the rigor of the angles, suggesting that structure here is provisional—an architecture of feeling suspended between clarity and reverie. In its shifting overlaps, the work reads as a meditation on perception itself: how certainty is built from fragments, and how color can become a vessel for time and interior space.