



A verdant field of intersecting grids and looping glyphs unfolds like a map of thought—half garden plan, half circuitry—where black lines assert structure while chalky whites scuff and interrupt, turning order into a lived, revised experience. The dominant greens oscillate between growth and containment, suggesting nature pressed into systems, or memory trying to stay legible inside an architectural frame. Circles, ladders, and drifting marks read as recurring motifs of passage and return, as if the work documents the quiet labor of navigating boundaries while still seeking open air.







