



This composition builds a quiet architecture from interlocking planes, where ochres and moss greens tessellate into a landscape that feels remembered rather than observed. Light seems to seep through the layered geometry as if through stained glass, softening edges and turning structure into atmosphere. The diagonal crossings act like pathways or decisions—routes that converge, separate, and rejoin—suggesting an inner map of movement and time. Beneath the order of its faceted design, the work holds a humid stillness, evoking growth, erosion, and the patient intelligence of nature translated into abstraction.







