Untitled 2 (Untitled)

This geometric abstraction stages a quiet dialogue between ascent and descent: a green orb poised above converging chevrons feels like a suspended promise, while the black circle below reads as a gravitational counterweight. Bands of saturated blues—cut by crisp white seams—create a measured tempo, as if the work is calibrating breath and tide between sky, water, and the engineered certainty of angles. The composition’s stacked panels and stark black base invoke a threshold, suggesting that clarity is always earned at the edge of an encroaching void, where order holds only by deliberate alignment.