Untitled 2 (Layers of Memory)

A velvety field of smoke-violet dominates the surface, its broad, opaque sweeps acting like a deliberate veil that both conceals and consecrates what lies beneath. Along the right edge, a band of ochre and burnished gold pushes through like exposed strata—part mural fragment, part memory—suggesting a palimpsest where language, pattern, and history survive as faint residues. The composition stages a quiet conflict between erasure and revelation: soft, hovering forms dissolve into silence while the warmer vertical margin insists on continuity, as if the work is holding a boundary between interior dusk and lingering illumination.