Untitled 14 (Urban Echoes)

This diptych stages a hushed confrontation between presence and erasure, where slate-blue fields swallow the architecture of forms and leave only bruised remnants—rust reds, smoky blacks, and sudden flecks of cobalt—like memories refusing to fully disappear. The composition’s central seam becomes a psychological threshold, splitting the scene into two unstable zones that echo one another without resolving, as if the same event is being recalled from different distances. Dragged paint, veils of gray, and sharp, interrupted marks create a rhythm of hesitation, suggesting a city or interior space reduced to atmosphere—an austere meditation on fracture, endurance, and the quiet violence of time.