Untitled 502

This monochrome composition stages a quiet collision between geometry and breath, where fan-like fields of incision radiate outward as if measuring time by its own erosion. The dark, dense left side presses against a pale expanse, turning negative space into a luminous counterweight and making the seams between forms feel like thresholds rather than boundaries. Circular segments and triangular wedges interlock in a poised rhythm—part diagram, part eclipse—suggesting a mind partitioning experience into fragments while still yearning for wholeness. The tactile striations, both meticulous and restless, lend the work a hushed intensity, as though order is being patiently carved from uncertainty.