Untitled 127

This composition stages three monumental discs—two ember-red sentinels flanking a sunlit gold core—whose radiating striations read like pulses, mapping time and breath into matter. The cool green ground and cobalt, lozenge-like interstices act as spatial valves, tightening the rhythm between expansion and containment while sharpening the sensation of heat against calm. A faint central cross binds each circle, suggesting an unseen axis or compass that steadies the work’s ecstatic vibration, as if the painting were both mandala and instrument. In its symmetry, it offers not stillness but a disciplined, ceremonial energy—an image of balance achieved through continuous inner motion.