



This painting stages a tense conversation between geometry and gesture: a cool, planar gray field advances like a wall of silence while molten reds, ochres, and acid greens flare at the margins, insisting on vitality. Forms hover between landscape and figure—suggesting a torso-like curve and fragmented terrain—so that space feels both constructed and unsettled, as if memory is being rebuilt from overlapping shards. The restrained, matte surface absorbs light rather than reflecting it, deepening the sense of an interior drama where containment and eruption coexist in precarious balance.







