Untitled 217 (Vibrant Harmony**)

Broad, interlocking planes of cobalt and sun-bleached ochre collide with flashes of magenta, as if the painting is staging a negotiation between calm interior silence and the insistence of lived experience. A diagonal sweep anchors the composition like a structural beam, while scraped edges, drips, and punctuated white marks expose the work’s making—memory not as a smooth narrative, but as layered revisions. Light here feels constructed rather than observed, emerging from the friction of color fields and the porous weave beneath, suggesting a city of sensations where order is always on the verge of dissolving into impulse.