Untitled 256 (Divided Landscape)

This composition reads like a remembered interior translated into pure sensation: planes of saffron, coral, and teal lock together in a tense geometry, while small punctures of blue and violet behave like pulses of thought interrupting the calm. Light is not depicted so much as constructed—laid in bands and scumbled veils that make the space feel simultaneously architectural and porous, as if walls could breathe. The dominant diagonal acts as a threshold, dividing the work into lived zones of warmth and shadow, suggesting the psychological partition between intimacy and exposure. In its tactile, layered surfaces, the painting turns domestic structure into an emotional map—order held together by bright, fragile accents of uncertainty.