Untitled 5 (Intersecting Planes)

This composition stages a quiet tectonic drama: bands of muted violets and ash-gray hold a mosaic of triangles that seem to assemble and dissolve like shifting terrain under low light. A single diagonal red incision—part signal, part scar—cuts through the measured geometry, introducing a pulse of intention against the work’s otherwise weathered, almost archival surface. The translucency of layered forms suggests memory as a constructed landscape, where clarity arrives only in fragments and the eye must negotiate its own path across thresholds. In this restrained palette, space becomes psychological—an atmosphere of tension held just below speech.