Untitled 7 (Sunny Hills)

This painting orchestrates a charged encounter between land and atmosphere, where broad, tactile strokes of emerald and ultramarine rise like unfolding terrain beneath a molten canopy of ochre and sunlit gold. The light is not merely depicted but felt—pressing through a white, river-like aperture that cleaves the composition, suggesting both passage and revelation amid shifting weather. In the lower registers, stippled, ember-toned marks gather like distant settlements or memories, grounding the sweeping gestures with a quiet human pulse. The work reads as a meditation on resilience: nature in continual reconfiguration, and the mind finding orientation through color, rupture, and return.