Untitled 4 (Green Harmony)

This painting orchestrates broad, wind-swept strokes of sage, slate, and luminous yellow into a sky-like field where light feels less observed than remembered—an atmosphere charged with arrival. Along the lower edge, a dense, stippled cluster of marks reads like a distant settlement or chorus of voices, anchoring the composition in human trace while the surrounding space remains fluid and untamed. The dialogue between sweeping opacity and granular detail suggests the threshold between interior weather and external landscape, where clarity breaks through in brief, radiant intervals. It is an image of becoming—terrain and mood coalescing, then dissolving, in the same breath.