Untitled (Four Circles)

Across four circular fields, the work reads like a sequence of sealed microcosms—each disc a small atmosphere in which a solitary emblem hovers between recognition and erasure. The stippled, textile-like surfaces create a soft vibration of light, so the central silhouettes—tool, crown, creature, mask—feel pressed into memory rather than crisply depicted, as if recovered from a faded archive. Color shifts from cool grey through vegetal green into a heated orange and back to marine blue, forming an emotional arc from neutrality to intensity to quiet afterglow. In their measured spacing and repeated format, these icons become a meditation on classification and identity: symbols that promise meaning, yet remain stubbornly private, holding the viewer at the threshold of interpretation.