Untitled 133 (Symmetry in Harmony)

This work orchestrates a taut symmetry where crimson, thread-like diagonals press inward from opposing diamonds, meeting at a central seam that feels both sutured and charged. Two graphite ovals, edged with an electric blue halo, soften the geometry into a pulsation—like breath contained within architecture—while the mustard ground radiates a steady heat that refuses neutrality. The pink fan of lines reads as a pair of opening and closing apertures, suggesting perception itself: focused, duplicated, and held in perfect tension between convergence and release. In its careful balance of vibration and restraint, the piece becomes a meditation on connection—how separate systems mirror, overlap, and briefly align before slipping back into their own fields.