Untitled 52 (Untitled)

This painting suspends a fractured landscape between emergence and erasure, where scraped whites open like weathered light and the darker upper register presses in with the weight of an approaching front. Angular shards of blue and green read as memory-traces of water, foliage, and built form, yet their edges dissolve into restless strokes, suggesting a place continually rewritten by time and mood. The composition hinges on a central pale passage—part road, part scar—inviting the eye inward while refusing stable perspective, as if the act of seeing were itself interrupted. In its bruised palette and layered abrasion, the work becomes a meditation on impermanence: nature and habitation caught in the same breath of change.