Untitled 206

This work stages a quiet cosmology in stitched, radiating grooves—each quadrant pulsing outward like a contained breath, turning texture into a kind of light. The composition hinges on a central blue mandala that both anchors and divides the field, while surrounding green and violet planes oscillate between growth and dusk, suggesting a cycle of emergence and retreat. Repetition becomes meditative rather than mechanical, and the tactile striations read as time marks—an insistence that harmony is built through accumulation, not instant revelation.