Untitled 288

This painting stages a restless architecture of triangles and stepped planes, as if a city were being remembered through emotion rather than mapped through streets. Candy pinks and hot corals collide with cool turquoises and bruised violets, while drips and scraped passages expose the work’s vulnerability—structure trying to hold, yet continually dissolving into sensation. The central diamond-like form reads as a volatile emblem or window, suggesting a private interior flickering inside public geometry, where order and impulse negotiate the same space. What emerges is a lyrical tension between construction and erosion, a portrait of belonging built from layers that refuse to fully settle.