Untitled 294

This painting stages a fractured architecture of color—rectilinear blocks and half-erased planes—where vivid oranges and magentas pulse against bruised violets and ash-grey, as if a city’s memory were being rebuilt and undone at once. Veils of translucent paint and downward drips behave like weather or time, softening hard edges and turning structure into sensation, so the composition oscillates between control and surrender. The eye moves through layered cancellations and sudden chromatic flares, reading the surface as a record of pressures—construction, erosion, and the quiet insistence of renewal.