Untitled 289

This painting stages architecture as memory rather than structure—triangular rooflines and faceted planes emerge, dissolve, and reassert themselves beneath veils of dripping pigment. A dominant field of sunlit yellow presses forward like heat or insistence, while mauves, teals, and bruised violets bruise the edges, suggesting the tenderness of places half-recalled and half-invented. The composition pivots between stability and collapse: crisp geometric peaks are interrupted by fluid runs, turning the city into a psychological landscape where order is continually softened by time, weather, and emotion.