Untitled 8 (Intersecting Planes)

This geometric abstraction unfolds like a weathered mosaic of memory, where interlocking triangles form a shifting topography that alternates between structure and dissolution. Muted earth tones—ochres, mossy greens, smoky violets—are softly veiled by a patina-like texture, as if time itself has settled onto the surface and quieted any hard edges. The composition’s diagonal currents suggest movement beneath restraint, evoking landscapes seen through fog or recollection, where clarity arrives in fragments rather than certainties. In this tension between order and erosion, the work reads as a meditation on how we build meaning: piece by piece, and always partially obscured.