Untitled 7 (Urban Tapestry)

The work orchestrates a city into a tapestry of tessellated strokes, where warm ochres and ember reds assemble into clustered dwellings that press against a vast, breathing basin of pale blues. This central void functions like a reservoir of silence—an interval of suspended time—while the surrounding architecture reads as both community and compression, a lived density held in precarious balance. Light is not painted as a single source but emerges from accumulation: each small plane flickers with its own heat, turning the settlement into a luminous perimeter that frames absence as the true subject. In this tension between crowded habitation and open expanse, the painting suggests memory’s geography—how places are defined as much by what is missing as by what persists.